We have just completed framing some wartime drawings by Eric Kennington, and some beautiful lithographs by Robert Bevan, etchings/aquatint by John Piper and Grahame Sutherland, and linocuts by Sybil Andrews. All in handfinished stained and waxed oak frames under True Vue Museum glass. They are on display and available for purchase at The Framers Gallery 5th – 9th March 2019. The exhibition includes artwork from Neil Jennings Fine Art (pictured below) in association with Gwen Hughes Fine Art & Dominic Kemp Modern British Art.
Grahame Sutherland – Michaelmas (Etching, 1928)
Stain + wax oak profile with True Vue Museum glass
John Piper – Welsh Waterfall, (Etching & Aquatint , 1939)
Stain + wax oak profile with True Vue Museum glass
John Piper – Stowe : Queen Caroline’s Monument (Etching & Aquatint , 1975)
Stain + wax oak profile with True Vue Museum glass
Kennington – Glasgow University
Stain + wax oak profile with True Vue Museum glass
Robert Bevan -The White House 15/50 (Lithograph , 1921)
Stain + wax oak profile with True Vue Museum glass
Robert Bevan – The Smithy Barn (Lithograph , 1919)
Stain + wax oak profile with True Vue Museum glass
Robert Bevan – The Smithy , Luppitt (Lithograph , 1920)
Stain + wax oak profile with True Vue Museum glass
C R W Nevinson – La Butte Montmarte (Drypoint & Aquatint , 1922)
Stain + wax oak profile with True Vue Museum glass
Sybil Andrews – Bringing in The Boat (Linocut , 1933)
Stain + wax oak profile with True Vue Museum glass
Sybil Andrews – Bringing in The Boat (Linocut , 1933)
Stain + wax oak profile with True Vue Museum glass
Eric Kennington – Into The Trenches Lithograph , 1917 
Eric Kennington – Bringing in Prisoners Lithograph , 1917 
Eric Kennington – Over The Top Lithograph , 1917 
C R W Nevinson – Swooping Down on a Taube Lithograph , 1917 
C R W Nevinson – Assembling Parts Lithograph , 1917 
Robert Bevan – Plantation 39 / 40 Lithograph , 1922 
Eric Kennington – Boulou Wood
